![]() Choose someone you find in the space and follow them. (There are several minor characters who have less interesting loops that aren’t great for newbies. If it’s a man in a tux or a woman in a gown, they are most likely a main character and someone worth following through their loop. During the first loop, you’ll just come across a character as you’re wandering around in the space. The show repeats twice (for a total of three times through or three loops). How the show works and who the people are. If you show up later, it just means you're missing the first of the three loops (more on loops in a second). Be ready to leave the bar when they call your card (about 10-15 mins after you get in the bar). That means you’ll be the first group into the McKittrick to experience the whole three hours of the show. if you’re near the front of the line, it’ll be an ace. ![]() You can bypass the coat check line by going through the left door once you’re in the entrance hallway. Have one member of your party wait in line to check everything and another member of your party go and check in at the check in counter. There will be a bag and coat check when you enter the space. Purchase the earliest show time. No matter what ticket time you bought, show up 45 mins before the first entry time, and be closest to the front of the line as possible. “You never know,” he said.There are multiple entry times throughout the first hour of the show. Could it ever come here?īarrett smiled through the screen. On the video call, Barrett and Doyle brandished a script for their new show, “ The Burnt City,” which will open in London in March. Which means there are so many other marvels, other fables, other chances, masked or otherwise, to give yourself over to a theatrical world. But “Sleep No More” is still only one show, perhaps not even the best show, produced by one company. However altered, there’s no denying the show’s once and future influence on the theatrical life of the city. And the production now uses less food and drink. Certain choreography, like a moment in which a performer coughs up a feather, has disappeared. For those that remain, performers no longer remove audience members’ masks. Crowds will be smaller, at least initially, some one-on-ones have been eliminated, their content integrated into the script. The pandemic has reshaped other aspects of the show. “Now they have doubled down into making sure everyone is extra safe.” “This was never taken lightly,” she added. Sophie Bortolussi, a longtime “Sleep No More” performer, said that while she had not personally experienced assault, she appreciated these new measures. Several rooms now feature emergency buttons, so that cast members can summon help without breaking character. There is also a half-day workshop in which cast and staffers role play audience handling and drill safety protocols. The production now works with an intimacy consultant, who supervises the scenes between performers and advises on how to handle the one-on-ones. The run up to the reopening has urged further modifications. (It has since been replaced with the line about keeping a respectful distance.) An entrance speech that had once advised, “fortune favors the bold,” now asked that attendees respect the performers. Before the pandemic closure, new protocols had already been put in place. ![]() In 2018, Buzzfeed News published a report in which several of the show’s performers and staffers detailed experiences of assault and groping. ![]() “They managed to get a general audience really involved in experimental art and experimental dance,” she said. Samantha Gorman, a theatermaker who created “The Under Presents,” believes that “Sleep No More” changed audiences, whetting an appetite for immersive work.
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